Cecelia, on the other hand, is keyed in to the sound of approaching footsteps. It prompts her to stop short and let them approach her, rather than bump into them herself. Stop short...and look. Process.
Thank goodness he doesn't see her first and see the initial fear that hits her; she has time to recompose.
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Thank goodness he doesn't see her first and see the initial fear that hits her; she has time to recompose.
It wasn't him, after all...
"Palamedes."